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Showing posts from April, 2018

New York shows, starting with Christiane Loōhr

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a few good shows to report on, starting with "diffuse," by German artist Christiane Lōhr at Jason McCoy Gallery on 58th Street through May 25th. Her drawings are complex, vaguely organic abstracts in black and white, but the highlight of the show is her tiny quasi-abstract sculptures made of bits of plant material. There are tiny grande ves and somewhat larger architectural forms, the latter something like models for dwellings or communal structures but in open-weave materials. But they're not models (you don't imagine inhabitants). They are elegant objects, seemingly growing out of or bound to the "ground" or table. They defy scale, or rather insist that scale has nothing to do with size. These are deeply involving sculptures, with a phenomenological edge: Leaning toward one of the ones that's not in a vitrine, there is a palpable risk. Mildred Thompson's show at Galerie Lelong in Chelsea is a moving tribute to the deceased artists who is only n